Adland is an island

In advertising, using emotion is entirely logical. Creative agencies have made this case consistently. But in 2013 Les Binet and Peter Field bought some much-needed data to the discussion. In their seminal report, The Long and The Short of It, the duo analysed 30 years of IPA effectiveness award submissions. The study found that emotional...

The shift to music streaming has led to songs getting shorter, music getting less melodically diverse and lyrics getting more repetitive. Or to put it another way, just as our visual culture has become more homogeneous, so too has the music that accompanies it. Let’s run through these arguments one by one.

A storm is coming. In 2020 Britain suffered its deepest recession in over 300 years. Two years later and the UK’s economic picture is not much prettier. This article argues that whilst recessions are a threat to some businesses, they are an opportunity for others. It argues that brands can not only survive a downturn but thrive in one. It...

To make a big impact, we need a big idea. In brand communications, coveting the ‘big idea’ is commonplace. We look for them. Long for them. Laud them and lionise them. And yet, despite its ubiquitous use, the ‘big idea’ remains incredibly ill-defined. This article is an attempt to change that. It argues that ‘big ideas’ are ‘big’ because they...

We live in the era of efficiency. The advertising industry is infatuated with it. Intoxicated by it. Enamoured and enthralled by it. We want our teams to be lean. Our processes to be agile. And our output to be optimised. Instead of focussing on making our work bigger, we focus on making it work harder. Instead of aiming to maximise our...